Five prototypes

Four drawings — callout, exploded axonometric, shadow study, cyanotype — and three marks — tick and name, match line, break line. No section numbers anywhere; figure captions unchanged. One prototype per page type, so every drawing and every mark is exercised against live content at least once.

• p1

  Home

  Four audiences, each composed at a different scale. The gold appears four times and never as a field.

• p6

  Noir Botanical

  Evergreen, cream and copper. Split hero: schematic left, evidence plate right.

• p7

  Meridian Broadsheet

  A daylight broadsheet — warm paper, ink-black rules, one teal signal per column.

• p9

  Out-turn Signal

  Cost, programme and site in one live record, so variance reads as a signal.

• p10

  Meridian

  Every scheme held to one copper line, measured against a locked baseline.

• p22

  Section

  from p6 — the drawing stops being a plate on a page and becomes the page; three magnifications of one section, prose set into its negative space

• p23

  Datum

  from p10 — one continuous plot running the full height, annotated in the margins; the meridian carries a live reading instead of a station number

• p25

  Surface

  from p9 — the record as a control surface: tinted fields and small multiples in place of rules, dense and screen-native

• p26

  Pitch

  from p11 — the ruling made load-bearing, then replaced by colour: every element locked to one modular pitch, no hairline anywhere

• p36

  Paper

  convergence — the document as a physical thing: falls, is lifted, squared against the books, marked, and answered by a different sheet

• p37

  Approach

  seed 01 — a long patient opening carrying almost nothing, then incidents arriving progressively closer; the seam moves once, left, at the hinge

• p38

  Seam

  mineral grey and indigo — two dense ends and a held middle; the line runs horizontally as a change of ground, and the day's arrivals fall from it into one record

• p39

  Seam

  seed 03 — everything arrives in twos and the page ends on its longest silence; two grounds, and the boundary between them is the line

• p40

  Traverse

  violet and acid lime — the line steps sideways band by band instead of running down an edge; six documents arrive at once and are taken into one entry

• p41

  Poster

  seed 01 — the scale page: five lines of Anton at 222px, hard black and bone, red as the pencil of whoever checks the package

• p42

  Datum

  seed 02 — Fraunces at 300 on bone, no vertical rule anywhere; a datum every label stops on and every heading starts from

• p43

  Binding

  seed 03 — Spectral kept, Space Grotesk dropped; one binding line painted by each band's own ground, twelve identical junctions

• p44

  The Package

  seed 04 — the draw package is the page: sheets punched onto a binding, prose annotating from the margin, the rule crossing once at the end

• p45

  Round Trip

  seed 05 — it leaves the building and comes back: out along one edge, one turn, back along the other, with a lender's query landing on a cost code

• p46

  Quiet Tail

  from p41 — poster kept at full scale, the clause hung small off a full-measure rule; one product crop remapped onto the page's own bone-to-ink axis

• p47

  Fitted

  from p41 — three lines chosen by measuring Anton's advances, the only break that justifies; a bone plate reads across the headline once

• p48

  The Whole Package

  from p41 — the clause leaves the stack entirely; the drawing becomes a six-part package at 1:1, footing in both directions

• p49

  Both Legs

  from p45 — the return rebalanced to equal weight and given its own loud moment in the lender's voice, not the company's

• p50

  Two Exhibits

  from p45 — a real document list where the package leaves and a real cost report where it lands, both windowed and reduced to the page's two inks

• p51

  Acts

  p47's fitted hero, p48's package, p46's specimen — restructured on the reference's principles: grounds as chapter breaks, a chapter index that rides with you, and a second exhibit drawing how the work moves

• p52

  Technical Note

  the reference read faithfully — bone throughout, no poster, nine acts and twenty steps, eleven small printed figures, chapter breaks carried by air alone

• p53

  Note, Bold

  the reference's information architecture in this project's voice — bone as ground and ink as punctuation at 9.6% of the page, Anton once at 98px, the draw package decomposed into six small views

• p54

  One Screen, One Thing

  the poster hero and p53's rail, paced to the reference — every band exactly 900px so a window and a unit are the same object; 51 words on an average screen

• p55

  Filled

  p54 re-paced to the reference's geometry — 46 percent figure, 40 percent copy, hard to both edges, alternating sides, air between units instead of inside them

• p56

  At 768

  p55 rebuilt for the width the client actually reviews at — nav and small type raised off the floor, figures redrawn legible at 768, illustration leading, units snapping into view